The most comprehensive guide to Russian usage, fully revised and updated. A Comprehensive Russian Grammar, by Terence Wade, is the definitive resource on Russian usage, providing complete and accurate guidance for students and professionals alike. Now in its fourth edition, this authoritative text continues to be an indispensable reference for English-speaking learners of Russian. Detailed yet accessible chapters cover the essential rules of the Russian language, placing emphasis on the nuances and problems that English speakers find especially difficult. Thoroughly revised and updated by Russian language experts David Gillespie, Svetlana Gural, and Marina Korneeva, this edition reflects changes in the grammar, the lexis, and the contemporary practice of the language in Russia's increasingly globalized, market-oriented economy. New content includes coverage of words and phrases from IT and social network terminology that have entered the Russian language, original contributions by leading Russian language scholars, and numerous modern usage examples taken from Russian websites, social media, and post-Soviet literature. The standard Russian language reference for English speakers for more than a quarter of a century, this volume: Provides a comprehensive, user-friendly approach to Russian grammar exposition Covers every essential aspect of the Russian language, including prepositions, conjunctions, numerals, and word order Features updated examples and illustrations, new insights into recent developments in Russian language usage, and more consistent transliteration of Russian names Includes a glossary of grammatical terms, word and subject indexes, and a complete bibliography Part of the successful Blackwell Reference Grammars series, A Comprehensive Russian Grammar, Fourth Edition is the ideal guide and reference text for students and teachers of Russian across the English-speaking world, as well as professionals with knowledge of Russian seeking to keep pace with recent changes in the language.

Unlike most previous studies of literature and film, which tend to privilege particular authors, texts, or literary periods, David Gillespie and Marina Korneeva consider the multiple functions of filmed Russian literature as a cinematic subject in its own right—one reflecting the specific political and aesthetic priorities of different national and historical cinemas. In this first and only comprehensive study of cinema’s various engagements of Russian literature focusing on the large period 1895-2015, The History of Russian Literature on Film highlights the ways these adaptations emerged from and continue to shape the social, artistic, and commercial aspects of film history.